Selling Digital2nd Oct 2015
The Lumen Prize Winners' Gala last week wasn't just about the winners or the art - it was also about one of the most dynamic aspects of the art market – the commercialisation of digital art. Kicking off the session was Greg McMullen, Lawyer and Chief Policy Officer of ascribe.io, a Berlin-based tech company which works to protect the works of digital artists online.
His talk, entitled: Copyright, Copyleft and Copy/Paste: Making the law work for digital artists discussed the issues that surround the Jpeg/MP4 culture. Digital art can be copied with a click, resulting in the work becoming instantly available to the masses. So how do you control digital reproduction? Ascribe’s solution is not to bottle the digital within a physical container – a USB stick or a DVD - in order to sell the work. Instead, they want to allow artists to register their work with them using blockchain technology and then create a certain number of editions that would be available for sale. Lumen is excited to be partnering with Ascribe to create an online sales arm later this year – watch this space!
The next talk was by Elizabeth Markevitch, the founder and CEO of ikonoTV. Broadening the topic of conversation, Elizabeth explored how digital technology can be used to widen access to art. Acknowledging that the art world tends to talk too much, Elizabeth discussed what ikonoTV wants to achieve. Offering a 24/7 streaming of the arts, ikonoTV allows the viewer to pick a playlist – like you would on Spotify – and tune in to view artworks close up. No voice over is provided, instead you are confronted with new ways to view the art works all from the comfort of your own home. Here the image is being left to speak for itself, and ikonoTV is proving just how much power an image holds.
The final segment of the seminar looked at an artist’s perspective on selling digital art. Scott Draves, winner of the Founder’s Prize for Electric Sheep recounted the plethora of ways he had attempted to commercialise his practice. It seems as though Scott has tried it all – selling CD’s, T-shirts and even becoming a ‘VJ’ (you could hire him out to do the visuals at your party!). Yet, the aim of his work couldn’t come through via these methods of commercialisation – his desire to ‘create an artificial life form that is live and animated’ doesn’t really come across on a T-shirt. His answer has been Electric Sheep, a collective intelligence consisting of 450,000 computers that breed together to create generative art, often used as screensavers. Next in the pipeline is Gold Sheep which aims to offer a subscription-based service that would allow a higher quality of experience – as well as providing Scott with welcome income for his work.
The Artists' Voice2nd Oct 2015
The Lumen Prize Exhibition 2015 arrived in London last week, kicking off what promises to be our best global tour to date.
But Lumen doesn’t just bring great art to the table. Each Lumen event includes a digital art seminar or workshop – sometimes both. Last week, ahead of the Winners’ Gala, we were lucky enough to have six of the 2015 Lumen Prize Exhibition artists on hand to provide valuable insights into their creative process.
First up was William Latham, one of the leading names in the digital art field globally and a Professor of Computing at Goldsmith University London. He took to the stage to discuss how his work has developed since the late 1980s, when he first delved into digital art. Taking inspiration from natural forms and genetics, William uses the computer to ‘breed’ ideas culminating in works such as his Lumen Prize Exhibition work Mutator 2 Triptych. Admitting that one of his sources of inspiration is heavy metal imagery, despite not actually being a fan of the music, it was fascinating to see how so many different avenues merge together in his work.
Anaïs met den Ancxt one half of the artist duo Scenocosme – the winners of the Lumen Prize Silver Award – was up next. Placing physical interaction, sound and digital technology side-by-side, Scenocosme creates multisensory experiences that beg you to reach out and touch them. Offering an immersive environment that the audience responds to physically, Anaïs explained how works such as Metamorphy are points where nature and technology collide.
As Lumen is based in Wales, it was great to have Marcus West, a Cardiff-based artist, talking about his work which goes all the way back to the beginning of the computer age. Looking at his work ‘then and now’ his talk focused on how his artwork has changed in line with the advances in technology. He pinpointed seeing the work of the Op-artist Bridget Riley as a turning point in his aesthetic, pushing him towards works like his 2 Fibonacci images shortlisted this year. What came to the fore in Marcus’s talk was just how intertwined nature and digital art is – a topic that cropped up for nearly all the speakers. Emphasising the role of the Fibonacci sequence, Marcus even provided a tutorial on how to create works of art based on the Golden Ratio – creating a spiral that could, in theory, go on indefinitely.
Anne Spalter, author of The Computer in the Visual Arts, then showed what lies behind her kaleidoscopic imagery. She showed how her photos – often taken when on holiday – were transformed into mesmerising works of art, offering a rare view of how a digital work is created. Time of day takes on a particular significance in Anne’s work, offering the hypnotic colours that are central to her imagery. Transporting us to Bora Bora, Anne recalled how she stood under a palm tree at different times of the day and captured the images that later became the work Bora Bora: Palm Fronds, consequently warping the natural world into something almost spell-binding.
David Moraton, another Lumen Prize Exhibition artist, concentrated on the concept of synaesthesia – the ability to see colours from sound. Through his work David aims to make visible the invisible – reflecting his own internal experience that occurs when he hears music. David too offered a glimpse of the ‘making of’ his shortlisted work Visus Sonitus I. Choreographed to the 1972 ‘Cantus Arcticus’ by the Finnish composer Einojuhani Rautavaara, the work takes music into a whole other dimension, providing the audience with a stereoscopic experience.
To conclude the talks, Beatrice Lartigue, part of the collective LAB212 and winners of this year’s WNO Performance Award, discussed colour, music and space. It was great to hear that in a world revolving so much around technology and machines these artists aim to keep the human in mind – concentrating their work on establishing a dialogue between artist, audience and machine. In their winning work Portee/ music intertwines with the digital world responding to the physical interaction and presence of the viewer, creating a multisensory experience that exists between the spheres of music and the visual arts, with the aid of a grand piano!
Pioneers and Prizes29th Apr 2015
Mark your diaries - May 12 - 16th is a big few days for Digital Art in London. Both Lumen and Watermans, one of London’s premiere arts centres, are staging a week of exhibitions, seminars and workshops on digital art, including art that makes itself, creatively coded and performance art by both digital pioneers and the latest Lumen Prize winners.
Lumen's Founder & Director, Carla Rapoport, a former Financial Times correspondent and editor at the Economist Intelligence Unit, says: “Digital Art is where photography was 40 years ago – an art form with incredible potential. These two shows will take your break away – and experiencing them will give you a glimpse into the future of contemporary art.”
“Computer Art is older than artist’s acrylic paint,” notes Paul Brown, whose work is the centerpiece of the Watermans show, Brown & Son, alongside his son Daniel’s works. “It’s good to see that the digital arts are finally getting some recognition within the mainstream art world."
Brown & Son is at Watermans Arts Centre until May 31st and includes a Seminar on Art that Makes Itself on May 16th featuring Frieder Nake, computer art pioneer; Margaret Boden, Professor of Cognitive Science Sussex University; Douglas Dodds, Senior Curator at Victoria & Albert Museum; Nick Lambert, CAS chair and Lecturer in digital art and culture; Nico Macdonald, writer on design and innovation; artist and computer art pioneer Ernest Edmonds. Tickets can be purchased using this link.
The Lumen Prize Exhibition for digital art opens in The Crypt Gallery, London on May 14th and runs to May 21st. It will hold a Seminar on Digital Art featuring Douglas Dodds, Senior Curator, the V&A and Lumen Jury Panel member plus Academics, Curators & Lumen Prize artists.
Other events include:
A Basic Introduction to Generative and Code Art
Led by Paul Brown at Watermans
Tuesday 12 May. 11-4pm
Free, booking required (max 10 participants, 17+ yrs)
Creative Coding Workshops for Children, led by Genetic Moo
Saturday, May 16th Ages 8-14, The Crypt Gallery. Enjoy the Lumen Prize Exhibition while your children learn to make interactive art.
Tickets are £5. To book, please click one of these links:
And the Lumen Prize Exhibition itself:
Opening Times: 12 - 6pm, May 14-16 & 18-21st (Ex Sun)
Admission: Free. For details, please click details here. We look forward to seeing you there.
Lumen Underground24th Feb 2015
With less than 2 weeks to go until Lumen's 4th Call for Entries, plans are afoot for the last stop of the current global tour - London's magical Crypt Gallery under St Pancras Church, Euston. Once again, we'd delighted to be working with the MA Fine Art Digital students at Camberwell School of Art, who will assist with curating the show.
Our Digital Art Seminar on the first day of the show - May 14th - will feature talks by 2014 Lumen Prize winner Andy Lomas, Christine Hooper, winner of the 2014 Lumen Animate Award, as well as Donna Halford Lovell, Director of NeON, Scotland's largest digital art festival, as well as other academics and members of Lumen's Jury Panel. Straight after the seminar will be the opening party for the show, so please save the date. The show itself runs to the 22nd and will include all the 2014 works plus a few extra surprises!
Dutch Masters26th Jan 2015
Every Lumen Prize Exhibition comes with a seminar or educational activity, involving academics and artists. In Amsterdam, among other speakers, we were lucky enough to have Katja Kwastek, a professor of modern and contemporary art at the VU University Amsterdam, with a research focus on digital art, media aesthetics, and the digital humanities. Previously, she taught at Ludwig-Maximilians-University (Munich) and Rhode Island School of Design in the US. She is also the author of “Aesthetics of Interaction in Digital Art” (MIT Press, 2013). This book is a must for anyone aiming to connect today's interactive digital art to the rich and storied history of contemporary art over the past 100 years.
[Katia] argues that the aesthetic experience enabled by digital art can, in fact, open up new perspectives for art historians.
Since the beginning of the 20th century, she writes in the book's introduction, artists have increasingly sought to involve the viewer and stretch the boundaries of the traditional concept of the artwork. Since the 1960's, this trend has been the object of much academic research. However, she points out, most art historians still have difficulty acknowledging interactive digital art as a fully valid form of artistic expression. Instead, she argues that the aesthetic experience enabled by digital art can, in fact, open up new perspectives for art historians and not only as it connects to other digital art. In fact, she says, the fresh perspective gained from studying the aesthetics of interactive art might inspire art historians and art lovers alike to begin looking at other contemporary and historical art forms from new angles.
Inspiring words, indeed.
Happily Going Dutch5th Jan 2015
Lumen Exhibition has been to a bookshop (Riga), art galleries (Shanghai, London and Hong Kong), a cathedral (Cardiff) and now it's on to a glamourous big-city hotel, Amsterdam's Art 'otel, one of a small chain of art hotels across Europe which feature artists such as Andy Warhol, Wolf Vostell, and Georg Baselitz. The Amsterdam Art 'otel, located in the heart of the city, has its own gallery - 5&33 - and what is claimed to be Europe's longest interactive curtain. We're thrilled to be invited to show this year's Lumen Prize show at this venue and are even more pleased that three of this year's artists have created bespoke work for the interactive curtain. The show - featuring this new work - runs from January 9th to 30th, coninciding with Amsterdam's Light Festival and Fashion Week.
Happily, there will also be a seminar and demonstration of digital art on January 17th from 3pm - 5pm, followed by a drinks reception and opening. Speakers at the seminar include Emmy and Lumen Prize winner Andy Lomas, Dr Nick Lambert of Birkbeck College and chair of the Computer Arts Society, as well as Laura Dekker, a Lumen Prize artist and Prof Katja Kwastek of VU AmsterdamArt history, author of Aesthetics of interaction in Digital Art.
Hope to see you there!
New York State of Mind14th Dec 2014
Lumen's New York show was a real highlight of this year's global tour. We had the run of the Auditorium on Broadway, a space which included it's own escalator as well as a full-size cinema, green room and glass-fronted windows on Broadway! The show was put on in partnership with New York Institute of Technology's Fine Art Department, led by the energetic Ann Aptaker, adjuct NYIT professor and NY-based curator, whose new MA course in Exhibition and Design included the Lumen show in the term's course work. The students - no surprise - were brilliant at coming up with ideas on how to stage, set-up and mange the show, given all the various requirements of interactive, still and time-based work. It was great to work with them - with special thanks to Amanda Rodriquez, Hingchen Fan, Jie Han, Yu-Ta Shih, Nikita Tejwani and Angel Chan. And of course, a huge thank you to Lumen's champion at NYIT, the chair of Fine Arts, Terry Neuheim Goodman. Already looking forward to next year!