The coveted Lumen Prize will open it’s 9th Call for Entries on 13th February with a prize fund of US$11,500. There are 9 awards to be won – including two new awards this year. Please scroll down for details of these prizes as well as this year’s eminent Jury Panel.
We’re honoured to be returning to the Barbican Centre for Performing Arts for our 2020 Awards Ceremony on 22nd October. Details of our Awards Programme can be found here.
Details of how to enter and opportunities available to longlisted, shortlisted and winning artists will be published in early February.
February 13, 2020
Call for Entries Opens
May 08, 2020
Call for Entries Closes
July 08, 2020
September 09, 2020
October 22, 2020
The Gold Award goes to the artist whose work is judged to be exceptional across all categories.
Moving Image Award
For excellence in time-based artwork, including animation, CGI, generative or video art; narrative or non-narrative works.
Still Image Award
For outstanding work using digital processes in its creation, including photo-manipulation, 3D renders, or drawings created on phones, tablets or PCs using digital software.
For excellence in engaging with audiences through sound, touch or movement, including games, installations, websites or 3D sculptures.
For excellence in Virtual, Augmented or Mixed Reality art.
Global South Award
For excellence in art created with technology by an artist or collective from Africa, Latin America or the developing economies of Asia.
Photomonitor Student Award
For excellence in Still or Moving Image created by a student currently enrolled in a degree programme in the arts.
For excellence in art created with technology by an artist or collective from Nordic Countries, including Denmark, Sweden, Norway, Finland, Greenland, Faroe Islands and Iceland.
The judging of the Lumen Prize is done in two stages. The longlist is determined by our International Selectors Committee of curators, artists and academics. This longlist is then reviewed by the Jury Panel, who select the finalists and winners.
Adjunct Curator, Digital Art, Whitney Museum
Christiane Paul is Adjunct Curator of Digital Art at the Whitney Museum of American Art in New York City, chief curator/director of the Sheila C. Johnson Design Center at Parsons School of Design, and a professor in the School of Media Studies at The New School.
CTO, the Serpentine Galleries, London
Ben Vickers is a curator, writer, explorer, publisher, technologist and luddite. He is CTO at The Serpentine Galleries in London, co-founder of Ignota Books and an initiator of the open-source monastic order unMonastery.
Digital Curator, V&A Museum
Melanie is the curator of Digital Art at the Victoria and Albert Museum, where she has also worked as the Digital Programmes Learning Manager. Before joining the V&A she was a curatorial fellow at the Barbican Art Gallery and has over 10 years of experience working in the museum sector curating, commissioning and delivering projects.
Assistant Curator, Tate Britain
As Assistant Curator of British Contemporary Art, Nathan curated Sophia Al-Maria’s Beast Type Song for Tate Britain’s Art Now programme in early 2020 and was part of the curatorial team for Year 3 by Steve McQueen at Tate Britain. In his previous role at Tate Modern, Nathan curated displays for artists including Douglas Gordan, Jordan Wolfson and Jenny Holzer.
Digital Curator at the Museum of London
Foteini is in charge of developing the MoL’s digital collections. She launched the video games collection and is currently focusing on social media collecting. With the move to its West Smithfield market, she is responsible for the digital content in the New Museum. She was the Lead Curator for The City is Ours in 2017 and has commissioned a range digital art installations.